And with the overlap in both categories most years, many people just begin to assume that they must be basically the same thing. Also, it is by the grace of the mixers that we can even hear dialogue coupled with score and sound effects. Since more often than not, the composer’s score or the dialogue ring much more clearer in our minds while watching a film, we usually do not take the time to even acknowledge that many of the sounds we are hearing are not even apart of the film until added. Instead of going into detail on each film and their chances (or lack thereof) as far as the sound goes, I thought it would be more beneficial to broach the topic of what the differences are between the Best Sound Editing category and Best Sound Mixing category, since I have to refresh my own memory most years when the Oscars roll around.
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